Showing posts with label india. Show all posts
Showing posts with label india. Show all posts

February 02, 2009

India: the Weary Travelers Swap Stories

How hard can it be for a group of storytellers and storytelling fans travelling together (and living in the same hotels for two weeks) to get together to tell stories?

Harder than you'd think. On a fifteen day trip, our story swap didn't take place until Day 12.

There was plenty of time on Day 1 at San Francisco International Airport... but we weren't all assembled. Two of our group were already in India, and 3 or 4 were flying from New York instead of SFO.

The first couple of days were a wash too, as we navigated culture shock, jet lag, and began to feel out the vibes of our local hosts and tour guides.

Once we got our bearings, our trip leaders talked about a story swap, but there were plenty of other logistical snags they needed to manage, and our days, though scheduled to include evening free time, ran long, so that dinner often ended at 9 pm or later (and we'd been waking at 3 or 4 am with jet lag, or 5 am if we wanted to hit the beach for Laughter Yoga). Also, our hotels rarely had a comfortable place where more than 4 people could gather.

It turns out the tour bus was the best place for all of us to gather... but not an ideal performance venue, given not only the seating arrangements, but also the variable quality of roads in India, and a temperamental PA system.

Day 11 should have been the day. After a morning of sightseeing at the world heritage sites in Mahalabalipuram, and shopping for souvenirs at a "fixed price" shop (for being a fixed price shop, they were certainly ready to make a deal if you tried to walk away from a sale), the Tharisanam storytelling tour delivered us to a beach resort, and gave us a free afternoon and evening.

This would be a perfect time to swap stories. We had heard some of our group tell stories at the Kattaikuttu school or in the rural Irula villages, and over various meals we'd gotten to know each other. But even after a week, we had not yet sat around with each other in a story circle to share a favorite yarn.

But at the resort, we dispersed all too quickly to our own cabins, some to partake of the resort's pool or aryuvedic massage services, others to dip their toes in the roaring surf of the Bay of Bengal, others to deal with various sorts of local vermin (of both the mammalian and arthropod variety) who had apparently had double booked the same rooms we had. I found a hammock on the beach, cracked open my John Irving novel, and eventually took a nap.

Wednesday, Day 12, we had a full day planned. A morning trip to DakshinaChitra, a heritage museum of architecture and traditional art, as well an afternoon of shadow puppetry. It may have well been the hands-on shadow puppet workshop that made a swap possible. After a 40 minute demonstration and Q&A, we were turned loose with paint and posterboard and scissors. For nearly two hours we were engaged in small group process actually making tangible artifacts, and despite being weary from 12 straight days of touring (and the various respiratory and intestinal ailments that inevitably accompany such trips), the excitement of the group was energizing (it helped that our master puppeteer had a hard exit time in order to catch his train home, so we were racing the clock to finish our creations). The puppetmaking brought out the talents of the folks on the trip who weren't storytellers. Their eye for color, design, and topology (my team was making two mirror image parrots) allowed them to participate in the trip's activities in a much more active way.

Back to the city of Chennai on the bus, sadly passing right by but not stopping at the Madras Crocodile Bank, home of seven thousand snapping reptiles (as seen on The Amazing Race Season 10 Episode 5), back to the New Woodlands Hotel. My roommate Jeff and I agreed that tonight would be a good chance to organize a story swap. I had my doubts that the tour organizers would be up to wrangling such a meeting, so Jeff and I agreed that we could host it ourselves. Jeff did a quick survey of those seated near us on the bus to gauge interest. I started pondering options for locations.

My first choice: the hotel next door to ours. One driveway down the street from us was the Savera, a fancy four star high-rise hotel, with two bars. My primary hope was that they might have a lobby more conducive to sitting around a telling stories than the New Woodlands, the midrange hotel where we were staying. When we arrived back in Chennai, I stowed my bags and set off to the Savera. There were several parties going on there, so the lobby was noisy and crowded, I couldn't really see telling stories there. Besides, we weren't really dressed for weddings or birthdays, and I felt like we'd stand out for being underdressed. But, the concierge informed me, the hotel had two bars, and we were welcome to come by and visit them. I peeked in one: comfy chairs, but smelling of old cigarette smoke, and three television screens showing cricket matches and music videos. Not an ideal venue for storytelling (but the following night would provide an ideal venue for some of us to unwind over a pitcher Kingfisher beer.) The other I dismissed, as it was the poolside bar, and our group was weary of battling mosquitoes.

Second choice: our own hotel lobby. The desk clerk told us that yes, we could have a "meeting" in the lobby, and so, at dinner, Jeff and I announced that at last, we would host an official "unofficial" (i.e. not on the tour itinerary) story swap in the lobby at 9:30 pm. Many of our group begged off, citing the late hour and flagging energy levels.

And at 9:30 we gathered in the lobby to find that the city electrical grid had cut off power to the hotel again, so that hotel management cranked up the enormous diesel generator outside to power the place. But... the door from the lobby to the outside had to remain open (I can't recall if this was because the air conditioner wasn't working or because the doorman was off-duty), and so the sound of the generator drowned out any chance of storytelling. Jeff pleaded for the door to be closed, but the staff insisted it had to remian open, and that's how we ended up with 15 people crammed into Jeff's and my double room.

I felt bad as host that we could offer neither refreshments nor adequate seating, but our group didn't seem to mind crowding onto the furniture:


So we went around the room, eleven storytellers (and four additional listeners) from our group. We heard James Thurber's "The Unicorn in the Garden." We heard a Native American tale from the Pacific Northwest, a Buddhist fable, a Sicilian fairy tale, an original story about grief, a Japanese ghost story, a personal childhood story that connected to Indian mythology, an Abenaki tale, a folktale from India, and a Japanese legend.

We were delighted to hear each other's individual styles and choices. Despite the late hour and the weariness, we all listened appreciatively.

In the past, I've found storytelling round robins uneven affairs... usually because there's a layer of social navigation that's underdeveloped-- an ad hoc gathering of storytelling aficionados doesn't form bonhomie spontaneously (and even with warm facilitation, it can be a struggle). But in our hotel room, things were different. This group had spent nearly two weeks together on an adventure, and spent a significant part of the day together working collaboratively and creatively. Sharing stories and listening to each other not only gave us each a chance to step out of the role of tourist, but to share with each other a familiar and comfortable gift.

January 07, 2009

Exploring Storytelling through Dance in Tamil Nadu

During our cultural tour of Tamil Nadu, on two occasions we got to meet with and learn from two practioners of bharatanatyam, South Indian classical dance. Two afternoons is certainly not enough time to learn the history, cultural context, and range of this art form, even from master teachers, but we were willing students.

After lecture/demonstrations earlier in the week on other oral traditions of Tamil Nadu, we were ready for some hands-on, feet-on learning.

Thanks to YouTube, I can show you what bharatanatyam looks like:


Professional dancer Uma Ramesh had us up on our feet, stamping out talas on the floor. Clearly, her dexterity, stamina, and grace (not to mention her three decades of training), put our hilarious attempts at coordinated rhythm to shame. But after demonstrating for us the pure dance movements of bharatanatyam, she then led us in an exploration of the narrative aspects of the art form. In addition to its devotional and kinetic aesthetics, the standard presentation of bharatanatyam includes a story, brought to life through a specific gestural vocabulary of the hands and the face.

Explaining this in writing will be needlessly confusing, so luckily YouTube can show you what I mean. Here are some bharatanatyam workshop performances that focus solely on abhinaya, or the gestural storytelling. Take a look and see how specific the choreography is-- it's practically as literal as sign language.

http://www.youtube.com/watch?v=Y0qdfkoSQ5g

With plenty of hands-on exercises, Ms. Ramesh had us practice mudras (that's the religious term. I forget what the bharatanatyam term is for iconic gestures) and helped us explore a gestural vocabulary for telling a story. We broke into small groups and began choreographing ensemble renditions of "The Talkative Turtle," an animal fable familiar to most of us, even if we didn't know its Indian origins from the Panchatantra.

Hilarity ensued—eventually. First we had to create a reader's theatre outline on the spot, then choreograph it, all the while navigating small group dynamics (only our 3rd day together, this the first collaborative task we were assigned, and clearly our group had at least two different styles of learners (talk it out first vs. do something, anything, and shape on our feet). My group never made it far enough along to rehearse the whole story and thus our first time on our feet was in front of our colleagues.

Our hosts graciously served us tea and cookies, but our limited time in the workshop and our need to "get it right" led us to corner Ms. Ramesh in the kitchen for more coaching and finessing of form.


We were pleased to learn that bharatanatyam's gestural vocabulary was expansive enough to include specific mudras for such words as: tree, water, bird, turtle. (And I learned my ring fingers are not coordinated enough to correctly form the mudra for "tree")

Later, our host Jeeva Raghunath would tell this very story as an interactive tale, reminding us of the gestures first, then falling silent during the story at those gestures, allowing the audience to jump in with the correct word, demonstrating for us an extremely practical use of our newfound technique.

But for me, the practical takeaway was this: specific, defined gestures can be an effective tool to tell a story. When used thoughtfully, gestures help the audience co-create the story in their imagination, by giving them a visual (and possibly kinesthetic) suggestion from which they can expand upon.

That should be obvious (coaches have commented on my lack of specific gestures for years), but for me, seeing a master artist who specialized in this, at a level so far beyond what I could even conceive, was necessary to really have it sink in.

January 01, 2009

India Storytelling Tour 2008, Twitter roundup

Just realized that it's hard to point people to Twitter info after the fact, so I'm cutting and pasting my tweets from the Tharisanam India Storytelling tour here. Dates don't exactly correspond to our tour stops... I didn't tweet live, but posted these in batches from internet cafes. I've reversed the order here, because Twitter, like a blog, has the earliest posts are on the bottom. Instead, these are chronological., so start at the top and work your way down.

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Things you don't want to hear from your HR manager 24 hours before you leave for India: "What leave of absence?" 10:22 AM Oct 30th

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Good thing all my clothes for India are on the clothesline. The forecast: no rain until tomorrow. Wrong. Guess who came early? 3:10 PM Oct 30th


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Heading off for India. 8:21 AM Oct 31st, 2008


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Door to door: my house in Berkeley to hotel in Chennai, 30 hours. Got about five hours of sleep in there. Still, beats going by horseback. Nov 2nd, 2008

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Hotel is a favorite of locals for wedding receptions. It's Sunday, and everyone is dressed to celebrate. Nov 2nd, 2008


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Masala dosa is a good breakfast, if spicy... but I just passed a donut shop on the way to the internet cafe. I'm torn. Nov 2nd, 2008


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Oh, by the way, I'm typing this from the future. I'm 13 hours ahead of California time. No jet packs yet, but lots of auto rickshaws. Nov 2nd, 2008

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Hanging out with storytellers (12 american, 1 Indian) in Chennai, India. More later. Nov 2nd, 2008

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Enjoying the afterglow of a sunrise workout on the Bay of Bengal with the Laughter Club of Marina Beach. http://tr.im/s40 Nov 3rd, 2008

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Nothing like traditional Tamil lamentation (oppari) to balance out the day's laughter quotient. Nov 5th, 2008

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Whoa. The bats in Chennai are larger than the cats back home in Berkeley. Nov 5th, 2008

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Tuesday night storytelling contest in Nocchikuppam: totally fascinating. Nov 5th, 2008

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Travel nurse got me paranoid about infectious disease. She didn't know the biggest health risk in Chennai is attempting crossing the street! Nov 5th, 2008

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The cure for Mallarone-induced insomnia: Kingfisher beer! Nov 5th, 2008

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One very happy busload of tourists on Dr. Radikrishnan Rd in Chennai this morning when we learned via Blackberry that McCain conceded. Nov 5th, 2008

# Auspicious day for weddings. Not so auspicious if your hotel room is next to the reception hall. Nov 5th, 2008

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Off to more adventures. Nov 5th, 2008

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Learned about indigenous tribes of India from our host, Hindu marriage from our translator, and the Mahabharata from a Texan in a sari. Nov 6th, 2008

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Oops. Not a sari. The other thing... my guide is going to scold me for getting it wrong. Again. Nov 6th, 2008

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5 days in. I ask a tour buddy when "lord of the flies" sets in. She notes we arrive in the jungle in two days. Nov 6th, 2008

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Half of our group are retirees. I hear they're the first to go savage once we lose the air conditioning and the coffee. Nov 6th, 2008

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We may not all come back. Nov 6th, 2008

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Nothing like practicing a song with a master theatre artist while massacring his language. Nov 8th, 2008

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Watching comedians work without understanding their language... a master class in pace, posture, and audience control. Nov 8th, 2008

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As if live music, epic storytelling, and performance theory wasn't enough-- food, glorious South Indian food! Nov 8th, 2008

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Hindu temples aren't my thing. My thing: taking pictures of American tourists taking pictures of Hindu temples. Nov 8th, 2008

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Planting saplings at an herbal medicine nursery in rural Tamil Nadu. Nov 8th, 2008

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Best way to revive a gaggle of storytellers who've been on a bus for too long: Kingfisher Beer! Nov 8th, 2008

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Sitting in shade of a tree in rural India, listening to stories from tribal elders. Nov 10th, 2008

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Yes I paid too much for those souvenirs. Yes I got suckered 'cause I'm a foreigner. But I got a story out of it. Nov 11th, 2008

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The cross-cultural miscommunication in restaurants here is delightfully comical, until it happens to your dinner. Nov 12th, 2008

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You can fit 15 storytellers in a double room if they are determined enough to swap stories. Nov 12th, 2008

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Wed: shadow puppet workshop. Puppets whacking each other with clubs is funny in any language. Nov 14th, 2008

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Thurs: Pizza Hut! Nov 14th, 2008

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Thurs: master class in gesture, narrative in contemporary Indian dance from http://www.anitaratnam.com/ , including the Ramayana in 7 min Nov 14th, 2008

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The heady fragrance of my LOVIN EGO deodorant (Indian brand) tempered by the DEET insect repellanant Nov 14th, 2008

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Fri: 2 gigs in Chennai-- I get the rough one, but the tour rocks the house @ Alliance Francaise of Madras Nov 14th, 2008

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Sat: end of tour. Jeff B and I set out to see India on our own Nov 14th, 2008

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Autorickshaws in Chennai : autorickshaws in Delhi :: Asteroids : Sinistar. Nov 16th, 2008
(analogy explained here)

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Hey storytellers-- Jeff and I made it to the site of Indraprastha, the legendary city built by the Pandavas in the Mahabharata. Nov 18th, 2008

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Sadly, there's a modern city of 12 million people built directly over it, so there's nothing left of it to see. Nov 18th, 2008

---(end storytelling stuff... more travel adventures in India below)---

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Maila Kofta, where have you been all my life? Nov 18th, 2008

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No Bharatnatyam for us. Instead: treated to one of Delhi's infamous traffic jams. Nov 18th, 2008

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Mmmmm. Thunderbolt beer. Better than Kingfisher. Nov 18th, 2008

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Puzzling over six-story Hanuman near our hotel. http://tinyurl.com/55oo7a Nov 18th, 2008

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Set Blade Runner in a hot climate and set the architecture back six centuries: Delhi. Nov 18th, 2008

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Amazing Mughal architecture in Delhi. But we are missing the stories. Nov 18th, 2008

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Mind-blowing walk through the narrow alleyways of Old Delhi. Stumbled into the wholesale bangle bazaar, dodging pushcarts and motorcycles. Nov 18th, 2008

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As storytellers far from home, Jeff and I are delighted to chat with affable English speaking locals. Turns out-- they all own shops. Nov 18th, 2008

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You'd think after falling for the friendly local/shopkeeper gambit six times, we'd avoid #7.... You'd be wrong. Nov 18th, 2008

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Can't wait to leave Delhi and see if teenagers outside the city limits are as enamored of acid wash jeans and designer label shirts. Nov 18th, 2008

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That our train ticket number nor our names match those on the passenger list on the Kerala express does not faze the conductor. Off to Agra! Nov 18th, 2008

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Coincidentally, we share a berth with a German man whose knowledge of corporate storytelling far exceeds our own. Nov 18th, 2008

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Swapping stories with fellow travellers to while away the hours in a train berth. A welcome break from sightseeing and bargaining! Nov 18th, 2008

The Red Fort in Delhi was impressive. The Fort here in Agra-- jaw dropping. Friendly guide happy to tell us stories. Nov 18th, 2008

Guide, friendly, self-taught, and quite knowledgeable, tells us he'd like to show us a special rug emporium. Jeff does a spit take Nov 18th, 2008

Off to bed early to catch sunrise at the taj mahal. More later. Nov 18th, 2008

Overcast at Taj Mahal. Still worth the trip. Words can't describe its magnificence. Nov 19th, 2008

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Thursday: exhausting. Up at 5:30am, didn't reach hotel in Jaipur until midnight. That our guide brought us to THREE emporiums didn't help. Nov 19th, 2008

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Amazing Race moment in Rajasthan: it's dark, we haven't eaten in 9 hours, & our driver has no idea where the train station is. Nov 19th, 2008

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Beautiful hotel in Jaipur (nicest so far): manager tells us that autorickshaws = guaranteed detour to souvenir shops. Nov 19th, 2008

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My bargaining skills stink. Especially when the shopkeeper lived in Berkeley for 8 years and we hit it off immediately. Nov 19th, 2008

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Bharatpur: two Rajasthani families (English vocabulary: hello, mother, son, father, family, USA) find Jeff and I fascinating. Nov 19th, 2008

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Thurs: No dinner. Jeff shrewdly suggest I wait until my last night here before sampling samosas cooked from a vendor on the train platform. Nov 19th, 2008

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And by samosa vendor I don't mean snack bar. Instead: guy with a pushcart, propane tank, pot of oil, tongs, and a stack of homemade snacks. Nov 19th, 2008

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Bharatpur: Three computer hardware engineers ask us about salaries in the US; their jaws hit the train platform. Nov 19th, 2008

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Wishing we'd arranged to meet storytellers in Rajasthan. I'm sightseed out. Dreading the inevitable rush of souvenir wallahs. Nov 19th, 2008

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Thursday OK. Audiotour of city palace keeps hucksters at bay. Also drowns out shouts of tour guides for German, French and Japanese tourists. Nov 20th, 2008

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Best hotel yet: hot water, warm toast, and on TV: Amazing Race Asia. Nov 20th, 2008

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Probably should have skipped that episode of Nat'l Geographic Extreme on TV-- "Air Crash Investigations" the day before I fly home. Nov 20th, 2008

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Friday plan: 4 sights/sites in Jaipur, then start the 30 hour journey home via Delhi and Hong Kong. Nov 20th, 2008

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Ajmer: now that's a fort! Finally see the appeal of marble palaces. Also: snake charmer with cobra. Cliche, but everyone gawks. Nov 21st, 2008

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Autorickshaws in Jaipur: slower than Delhi, but variable pavement makes it the bone-jarringest, rip-roarin'est ride in the West. Nov 21st, 2008

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Feel sorry for new arrivals at New Delhi train station who have to face the mob of taxi drivers clamoring for your business. Nov 21st, 2008

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New Delhi airport: WTF? What kind of international terminal doesn't carry the Indian edition of People magazine? Nov 21st, 2008

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Delhi airport: Thomas Cook says I don't have enough rupees to convert back to dollars, I should spend it at duty free shop, beyond security. Nov 21st, 2008

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Delhi airport: Duty Free Shop says we don't accept rupees, only dollars. Try to spend my last rupees on India's famous ciabatta panini. Nov 21st, 2008

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Back home and thrilled to be so. Feel like crap, but nothing a lot of sleep won't cure Nov 22nd, 2008







December 23, 2008

Story Swapping Between Cultures, Part 2

On the second day of our visits to Irula villages, tour organizer Robert asked me about the experience, both to check in with me but also to get feedback on the tour itself. (It had been a primary goal of Robert and Nancy to get us out to a rural setting and to sit and swap stories in a non-performance platform context).

I told Robert that to listen to stories while sitting in the shade of a tree in a rural village in India was, in one sense, exactly why I had come on the trip. That very morning, in fact, as we were being served coconut water (a young coconut with a straw in it) and listening to stories, I nudged the person next to me. "We're listening to stories under a banyan tree. In India. Can you believe it?"

Banyan tree storyswapping venue,
Irula village near Chengalpettu,
photo by Jeff Byers.


After all the hassle of arranging travel, the long trip itself, the jet lag, the crash course in narrative arts of Tamil Nadu (including epic songs, the Mahabharata, bharatanatyam, and kattaikkuttu), sightseeing, living out of a suitcase, language barriers, and the media frenzy leading up to the November 4th election-- after all that, the story swapping in villages was a chance to experience life in the present.

A chance to pause... not just to enjoy stories, but to live life in real time.

Granted, it's not necessary to travel 9,000 miles away from home to grab a respite from the hustle and bustle of a modern lifestyle. And certainly to make a such a journey for the purposes of experiencing storytelling was a gamble of expectations. None of us, including the tour organizers, knew how the story swapping would work out.

(I can imagine the conversation at the tourism bureau: "The Americans want to go where?... They're coming all this way and want to visit the tribes... just to listen to stories?... What on earth for?")

So there we were. After brief tours of the villages, we'd gather in a group. We would sit and listen. Our village hosts graciously served us tea, and snacks. We whiled away the hours listening to stories, and some of our group had the chance to tell stories to the villagers.

In contrast to the epic stories of the Hindu religion we'd experienced in Chennai and the kattaikkuttu school, here we heard animal fables and local sacred stories, mostly from the women. One notable exception was when the village headman condensed a four hour sacred story into a 45 minute telling for us... despite the editing, he still found the story so powerful that he went into a trance state at the emotional peak of the story (We followed the lead of his wife and just waited patiently for him to return to us).

In the village with the banyan tree, locals sheepishly admitted they didn't know any traditional stories. Oakland storyteller Liz Nichols then asked them, through a translator, if they might share any stories about their grandparents. We quickly got two fascinating local legends about relatives who could go into trance states: one story about a woman who could predict epidemics in this way, and another about a man who could summon tigers.

We didn't speak their language, we could barely fathom their way of life. We got only a quick overview of their recent history: The Irula are a tribal community with thousands of years of indigenous knowledge of the forest, but the villages we visited were government resettlement projects. In recent decades, forest conservation laws made extraction of forest resources illegal, and apart from a few worthy efforts of non-governmental organizations to develop traditional knowledge into economic engines (snake venom extraction labs, herbal plant nurseries), most of the Irula are agricultural day laborers. Some of the women told us that they never took visited the nearest town (just a few kilometers away), because they could not read the numbers on the buses or the signs in the shops. If they braved the journey, they required their school-educated children to guide them.

But we sat down with them and listened. Sometimes life in real time doesn't provide the ideal venue for swapping stories. Real life can mean heat, humidity, dust, mud, goat droppings, snakes (the Irula are known as snake-catchers, and several men were happy to show off their recent finds), cell phones (in rural communities, it's easier to leapfrog landlines), children coming home from school. I recently played back video from one swapping session and what you can hear most clearly is the bleating of the village goats and clucking of chickens. Some of the younger children wanted to touch us white folks, or engage in various versions of peek-a-boo. During one swap, a group of boys realized the grown ups were otherwise engaged and began throwing rocks at each other just outside the storytelling circle. In another, the village alcoholic, attentive to the stories, felt compelled to make the session an interactive one. His outbursts were deftly and good-naturedly handled by our translator.

Sitting under the trees in rural India was picturesque, but it's also far from luxurious. Some of our group had health issues, which meant sitting cross-legged on a straw mat on the ground for two hours was far from ideal (chairs had to be hauled in from homes and schoolrooms).

But despite the challenges... of culture, of language, of lifestyle, of venue... such an experience really drove home the essential elements of what it means to be a human being. Because despite all the differences, were able to find common ground simply by being willing to listen to and share stories.

December 12, 2008

Story Swapping Between Cultures

Story swapping in Tamil Nadu

After our trip to the Kattaikkuttu school, we headed out to the countryside. We joked about going to the jungle (and if any lingering tensions within the group might turn into a Lord of the Flies moment), but it turned out to be mostly scrub forest (and thus the accidental geography of vegetation prevented our small band of travelers from devolving into anarchy).

As part of our desire for cultural exchange, and the government's and local NGO's to develop cultural tourism, we visited several Irula villages (the Irula are one of the aboriginal peoples of India who trace their ancestry back before Dravidian migrations) and got to swap stories.

In this photo, San Francisco storyteller Jeff Byers is sharing a story with the women of Chenneri, an Irula village in the Chenglepet district of Tamil Nadu. Storyteller Jeeva Raghunath translated between Tamil and English for us.

The story swaps were a highlight of the trip for me, and I'll be posting more thoughts on this portion of the trip soon.

November 06, 2008

Kattaikkuttu School: Thanks, YouTube!

Here's where we are today, with some documentary footage from 2006:

Folk Theatre in Kanchipuram

Today our tour took us to Kanchipuram, a two hour drive from Chennai, so we could learn about a form of street theatre known as Kattaikuttu, combining dance, song, costume, and spectacle to bring to life episodes of the Mahabharata at a rural school dedicated to the art form.

This was quite fun as we got to hear a condensed version of the Mahabharata in English, discover the cultural context in which his theatre form takes place, learned a few dance steps under the tutelage of the master artist P. Rajagopal with help from his teenage students, sing in Tamil, eat a home cooked South Indian meal, and get a chance to watch the students show us various entrances.

What we're learning is clearly a theatre form-- but a) we came to India to hear stories, and we have to hear the Mahabharata in Tamil through song and dance, we will, and b) the school founder, Hanne M. de Bruin, is an academic, and knows how to spin the theory of performance so that she can claim (and rightly so) that these forms of storytelling and intimately connected to the rhythm, melody, and drama... take them away and these stories don't work--- and, this is an oral tradition we're experiencing (there's no corps of writing that the work springs from).

So... today, storytelling with a harmonium, two drums, a mukavinai (a small oboe-like instrument) and two sets of hand cymbals (talam), wooden swords, choreography, improvisation, and song. We return to the school tomorrow for another half day of workshops.

Photos and Youtube links later. This internet cafe suffers from intermittent power cuts so I'm rushing this.

Learn more here: Link

The Hindu profile of the school founder: Link

November 03, 2008

Storytelling Tourism

Would you travel halfway around the world to learn about another culture's storytelling traditions?

I would, and along with 17 other "storytelling tourists," I'm in Tamil Nadu, India, for the next two weeks as part of a collaboration between the World Storytelling Institute in Chennai, India, and Eth=Noh-Tec of San Francisco, California.

Times of India article: link.

Today's article in The Hindu: link.