I'm away on vacation. While I'm gone, post in the comments any questions, observations from the National Storytelling Conference, or discussions you'd like to start.
New posts after August 18.
August 08, 2008
While I'm Away: National Storytelling Conference Comments
If you attended the National Storytelling Conference held in Gatlinburg, Tennessee this year, feel free to post in the comments any questions, observations, or comments on the various workshops, keynotes, panels, and/or master classes.
While I'm Away: The Future of Storytelling Online
I'm on vacation. But here's a question for you, to ponder, and comment upon.
Eric Wolf hosted a panel discussion this morning at the National Storytelling Conference in Gatlinburg, Tennesee, on the future story of storytelling online, examining the role the internet is playing in shaping the 21st century storytelling movement.
This question is for those of you, who, like me, could not be there. If you were attending the discussion what resources would you like to know about?
No fair answering if you did attend the panel.
Eric Wolf hosted a panel discussion this morning at the National Storytelling Conference in Gatlinburg, Tennesee, on the future story of storytelling online, examining the role the internet is playing in shaping the 21st century storytelling movement.
This question is for those of you, who, like me, could not be there. If you were attending the discussion what resources would you like to know about?
No fair answering if you did attend the panel.
YouTube Storytellers
Looking for storytellers on YouTube?
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UPDATE February 13, 2011: YouTube discontinued Groups as of December 1, 2010.
Many, although not all, of the videos that were posted to the Ancient Art of Storytelling Group can be found on my YouTube playlists:
World Storytelling
World Storytelling 2
=====
The way to find storytellers on YouTube is not via the search box (which, despite an update by Google, still isn't helpful)*, is via The Ancient Art of Storytelling group.
For the past two years, this group has been a repository for YouTube videos featuring stories told by amateurs and professionals alike.
You can find storytellers like Lethan Candlish, Sean Buvala, Yvonne Healy, Ruth Halpern, Mike Lockett, Joe Hayes, Dale Jarvis, Margaret Read MacDonald, Priscilla Howe, Alton Chung, Michael McCarty, Clare Muireann Murphy, John Row, Kate Dudding, Ellouise Schoettler, Martha Escudero, U. Utah Phillips, Diane Ferlatte, Nancy Donoval, Antonio Rocha, Norah Dooley, Gene Tagaban, Gale Portman, and the Gypsy Moon Tellers to name a few. (The tandem team of April Uhrin and Robin Rundquest, the Gypsy Moon Tellers, were the first performance storytellers to post video of their work on YouTube, beginning in June 2006).
The Ancient Art of Storytelling also has video from sessions of The Moth, stories from Toastmasters, kids, and English language learners, as well as campfire tales, Rakugo, Kamishibai, slumber parties, kitchen tables, and living rooms.
There are stories told in at least eight languages.
BTW, anyone can join the group, anyone can post a video, but it is moderated to keep it focused on storytelling.
* The fault is not the technology underlying the search box. Viacom's cable music channel, VH1 has been running a series called "Storytellers" since 1996. There are hundreds of (unauthorized) clips from this show currently on YouTube (lawsuit, anyone? yes!) There is more demand for Viacom's storytellers than "traditional" storytellers on YouTube, so until such time as demand changes (or supply shifts, say, should Viacom's lawsuit result in YouTube removing all Viacom content from its site), searching for "storytellers" is going to be useless.
=====
UPDATE February 13, 2011: YouTube discontinued Groups as of December 1, 2010.
Many, although not all, of the videos that were posted to the Ancient Art of Storytelling Group can be found on my YouTube playlists:
World Storytelling
World Storytelling 2
=====
The way to find storytellers on YouTube is not via the search box (which, despite an update by Google, still isn't helpful)*, is via The Ancient Art of Storytelling group.
For the past two years, this group has been a repository for YouTube videos featuring stories told by amateurs and professionals alike.
You can find storytellers like Lethan Candlish, Sean Buvala, Yvonne Healy, Ruth Halpern, Mike Lockett, Joe Hayes, Dale Jarvis, Margaret Read MacDonald, Priscilla Howe, Alton Chung, Michael McCarty, Clare Muireann Murphy, John Row, Kate Dudding, Ellouise Schoettler, Martha Escudero, U. Utah Phillips, Diane Ferlatte, Nancy Donoval, Antonio Rocha, Norah Dooley, Gene Tagaban, Gale Portman, and the Gypsy Moon Tellers to name a few. (The tandem team of April Uhrin and Robin Rundquest, the Gypsy Moon Tellers, were the first performance storytellers to post video of their work on YouTube, beginning in June 2006).
The Ancient Art of Storytelling also has video from sessions of The Moth, stories from Toastmasters, kids, and English language learners, as well as campfire tales, Rakugo, Kamishibai, slumber parties, kitchen tables, and living rooms.
There are stories told in at least eight languages.
BTW, anyone can join the group, anyone can post a video, but it is moderated to keep it focused on storytelling.
* The fault is not the technology underlying the search box. Viacom's cable music channel, VH1 has been running a series called "Storytellers" since 1996. There are hundreds of (unauthorized) clips from this show currently on YouTube (lawsuit, anyone? yes!) There is more demand for Viacom's storytellers than "traditional" storytellers on YouTube, so until such time as demand changes (or supply shifts, say, should Viacom's lawsuit result in YouTube removing all Viacom content from its site), searching for "storytellers" is going to be useless.
July 14, 2008
Elitist Storytelling Reported in Oklahoma! (The State, not the Musical)
Over at OKLAHOMA TELLERS, Marilyn Hudson calls out "storytelling elitism." She notes that this beast has two faces, one which hires and one which tells.
In her full post, it seems she's directing this at those who hire storytellers. I suspect she has one or two specific producers in mind (but I don't know the Oklahoma scene well enough to say for sure), and I'm assuming she thinking of storytelling event producers.
But a producer who doesn't want an untried teller on their stage is no different than a movie theatre booking a Hollywood film over the neighbor kid's low-budget summer film project. To exclude novice storytellers from the stage at performance events where people have paid admission isn't elitist, it's good business sense.
Telling stories for the sheer joy of telling stories is great. I'm in favor of that too. It has its place at family gatherings, around campfires, and even, in the context of performance events, at open mics or story swaps.
I don't know any storyteller that believes that abstract artistry is superior to heartfelt communication. (Neither do I know any that insist on lighting, props, and makeup... but then, I'm not familiar with the Oklahoma storytelling landscape.) I do know solo performers who are accomplished storytellers who do prefer to tell in theatres, use a script, but they don't call it storytelling. They insist on calling it theatre.
In an effort to parse what Marilyn might be reacting to, I found this entry of hers on a different blog:
Every storyteller has a different style. And each teller may be at a different place along their learning curve (so that, for example, they haven't mastered the use of "meaningless shouting" in their stories... er, or rather, the appropriate use of volume and physical energy). And we all have our preferences. But I don't meet many storytellers who push their style as better than others.
But, if Oklahoma is somehow fomenting a cadre of uppity storytellers dedicated to the notion that storytelling should be defined by loud and eye-catching shenanigans performed without regard to the needs of the audience, I'm with you Marilyn, let's send those elitists back to the vaudeville circuit where they belong.
One side is elitist because it sees only one type of storytelling as "true storytelling" (theatrics vs. traditional, for example). Such storytelling must be defined with terms such as "artistic", "meaningful","educational", and "professional". The folksy stylings of a country teller would never be acceptable. The telling for the sheer joy of telling a saucy or funny tale would be frowned on. The less than perfect delivery, style, or presentation of a newbie would never be heard or seen.
In her full post, it seems she's directing this at those who hire storytellers. I suspect she has one or two specific producers in mind (but I don't know the Oklahoma scene well enough to say for sure), and I'm assuming she thinking of storytelling event producers.
But a producer who doesn't want an untried teller on their stage is no different than a movie theatre booking a Hollywood film over the neighbor kid's low-budget summer film project. To exclude novice storytellers from the stage at performance events where people have paid admission isn't elitist, it's good business sense.
Telling stories for the sheer joy of telling stories is great. I'm in favor of that too. It has its place at family gatherings, around campfires, and even, in the context of performance events, at open mics or story swaps.
The other side of the face is the storyteller who has come to believe that abstract artistry is superior to heartfelt communication. They have come to believe the rhetoric of the need for lighting, props, makeup, and a "brand". They have allowed storytelling to be defined by large stage theater instead of standing on its own -and very -unique feet.
I don't know any storyteller that believes that abstract artistry is superior to heartfelt communication. (Neither do I know any that insist on lighting, props, and makeup... but then, I'm not familiar with the Oklahoma storytelling landscape.) I do know solo performers who are accomplished storytellers who do prefer to tell in theatres, use a script, but they don't call it storytelling. They insist on calling it theatre.
In an effort to parse what Marilyn might be reacting to, I found this entry of hers on a different blog:
In recent years, more and more touches of theatrics have been added to be "crowd pleasers" under the assumption that "today's child or audience" needs action and variety....
I have also seen a lot of meaningless shouting, audience participation, and over the top acting in some storytellers that was fun to watch but was a lot like eating spun sugar....it left you feeling a little empty......it was junk food that left nothing for the mind or the heart to think on and discover days later....
Every storyteller has a different style. And each teller may be at a different place along their learning curve (so that, for example, they haven't mastered the use of "meaningless shouting" in their stories... er, or rather, the appropriate use of volume and physical energy). And we all have our preferences. But I don't meet many storytellers who push their style as better than others.
But, if Oklahoma is somehow fomenting a cadre of uppity storytellers dedicated to the notion that storytelling should be defined by loud and eye-catching shenanigans performed without regard to the needs of the audience, I'm with you Marilyn, let's send those elitists back to the vaudeville circuit where they belong.
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