Conference Reflections: An Open Letter from Camille Born

Camille Born (Mahomet, Illinois) became a professional storyteller when she realized that her skills in telling personal anecdotes, sharing historical tidbits and giving her younger brother a life-long fear of closets could all be put together in a career. She was delighted, at age 50, to finally find out “what she wanted to be when she grew up”.  Besides telling folk tales, she writes original historical stories for performance. 

Learn more about Camille at her website: http://couldbeworsestories.com/

An Open Letter to My Storytelling Guild and Storytellers Everywhere:

This is a cool idea: https://www.facebook.com/notifications#!/StoriesInTheStreets/info by Andrea Lovett of Massachusetts.

And now, I am stepping onto my soapbox. (you've been warned)

Lots of times, as individual storytellers and as a guild, we lament about being asked to appear at events where the crowd is "just passing by." We want a seated crowd, good sound, etc. etc. etc. All the keynote speakers at the 2012 National Storytelling Conference talked about the need to build our audience—and to do it in whatever way we can; even for free. (not all of the comments in the keynotes were cheered by the audience). From young audience members will come future audience members and future tellers. We need to spread the word about storytelling to the public in general, to as many people as we can, in order to grow our audiences for future gigs—paid, "free-will" or otherwise.

To grow storytelling—and of course, get more work for all of us—we need to be bringing stories to people wherever they are. If there's a good idea out there, we should replicate it. I bet we even all have good ideas of our own. Yes, we all have done free work and really want to be paid. Me too. To get paid, we need people to show up. How can we expect people to show up to concerts—especially adults—if people don't know what storytelling is?? I did tell stories at the Champaign Farmer's Market last summer... and maybe only to one family each time, and maybe only 2–5 minutes stories, but it did spread the word. I did have a follow up visit from someone who heard me there. I did hand out brochures to adults passing by who said, "I never thought I would be so interested in a fairy tale." What I did was spread the word about—gave people a taste of—storytelling. Maybe some of those people showed up at your events. Who knows?

Telling at a farmer's market, or on the steps of the courthouse, or at an event when people are just passing by isn't "the best" for us, or for showing off our profession. If the goal is spreading the power of Story, however, those type of opportunities shouldn't be missed—especially if the reason for missing is "that's not how it should be done." Below, see the picture and post from Massachusetts teller Karen Chace who with two other tellers told to lines of people waiting to get into a park!

When next we gather—or perhaps at a meeting just to discuss possible events—I would like us to consider some "out of the box" functions. Why? because of all the above reasons and because: 2 years ago, I appeared as part of 40North's [Champaign County IL] Arts Council program in downtown Champaign, telling in the evening on a street corner. And then I told them, "y'know, telling to people just walking by doesn't work for storytelling..." and I've never been asked back. And now I see that there's art performances on the street corners of downtown Champaign every Friday night this summer: dance, fire breathing, magic, music, spoken word. Maybe if I hadn't been so rigid about "what storytelling needs" I would have been asked to participate this summer.

We all make our own choices, and do what we see is best for our careers, and our profession. I'm committed to jumping out of the storytelling box more often. Just call me Jack.

NEXT STEP: A guild in France is telling stories poolside this summer! What "out-of-traditional-storytelling box" places have you told at? Have you ever "taken it to the streets"? Where might you tell next?

Screenshot of Karen Chace's Facebook page used by permission. Photo copyright 2012 by Andrea Lovett, used by permission.

Conference Reflections: Lorna MacDonald Czarnota

Lorna MacDonald Czarnota is a professional storyteller based in Buffalo, New York, who specializes  in healing story. She  is the founder and Executive Director of  Crossroads Story Center, Inc, a not-for-profit reaching at-risk youth through storytelling. In 2006, the National Storytelling Network honored Lorna with an Oracle Award for exemplary leadership and service and significant contributions to community through storytelling. The following post originally appeared on Facebook. It is reprinted here with Lorna's permission.

Follow Lorna on Twitter @StoryLornaMac, and learn more about Lorna at her website, http://www.storyhavenstudio.com/

 Reflecting on Bill Harley's keynote address

I came to storytelling to share my stories and started by familiarizing myself with its history. I spent years studying this art and how it was used for entertainment, education, spiritually, for dissemination of knowledge and as a means for keeping the culture of a people. I told stories in all those ways.

I came to a deep understanding of the art of storytelling and how story is structured, as well as the significance of the storyteller in a community, small and large. I was called to story for healing and like others, I continue to learn.

In the beginning, I believed I would only be successful as a storyteller if I was recognizable on the "big" stage. Yet venues like Jonesborough and others continued to elude me. I wondered if I would ever be successful and at times thought about quitting. But there came a day when I asked this, with somewhat of a whine, to two of the storytellers who had the frustratingly recognizable name I thought I could not achieve. Those two tellers were David Holt and Jim May. I was a shadow, a speck compared to them and I found it frustrating. I cannot remember their exact words to me but I know when they were finished I left feeling like I had received a beat-down. They didn't give me the coddling I had expected, and thank goodness! That moment, and a little more ripening on the vine, changed how I viewed myself and my work, and in turn it changed how others saw me. That was years ago but this past weekend, Bill Harley's keynote took me to the next level of understanding the significance.

In a nutshell, Bill said we made a mistake when we allowed our art to become synonymous with Jonesborough and the big stage. He said telling to 1000 people in a tent isn't storytelling (by definition of intimacy). He said "Important things happen at the edges." He meant that about our art, that storytelling is at the edge or fringe of our society's ideals, but I think it also connects with what we do as "applied" storytellers - tellers using the art not only to entertain but specifically to educate, heal and enhance spirituality.

Like any good story, I imagine others took away a different message from Bill's keynote. And like any good story, it touched us where we needed to be touched. I guess I needed to hear once more that what I do is as important, if not more so, than what happens on a stage in a tent with 1000 people. How as a storyteller, I can listen as well as I tell and still make a difference in this world. I can tell to one lady in an elevator or listen to a dying friend's story, or sit in a room with five struggling teens, and have the world call me a storyteller. I can be proud of what I do, continue to marvel at the power of this thing called story, and know I have been successful. I have believed for a long time that once you give yourself to story, you serve it more than it serves you. You are the story, live and work in it, becoming so much a part of it that you cannot imagine doing anything else in your life. You realize story is all around you, you can not escape it nor do you want to.

Thank you Bill Harley. Thank you National Storytelling Network. And thank you to my fellow storytellers. Let's keep moving forward!

Conference Musings: An Open Invitation

Alas, my schedule this year has not permitted me to attend any storytelling conferences-- although if you follow my Twitter feed you may have noticed me plugging Sharing the Fire in March,  Northlands Storytelling Conference in April, the Tejas Storytelling Conference in early June, and the National Storytelling Conference at the very end of June. In my experience, attending a conference like these is a rewarding opportunity to immerse oneself in the tribe of storytellers, to share ideas with fellow artists, to geek out on the minutia of the storytelling art.

If you had a chance to attend, and were inspired, perplexed, challenged, or refreshed, you are welcome to share your reflections here in a guest post.

Drop me a line and we'll schedule you.

In the meantime, check out a few reflections on the National Storytelling Conference from Carolyn Stearns over at LANES/CT Stories+Storytellers, the always eloquent Laura Packer at True Stories, Honest Lies, and dlmar, The Memoir Writer.

OMG. Loren Niemi has started a blog. Why didn't I get the memo? Read his reflections on the National Storytelling Conference, "The Cincinnati Commentaries," here.

2012 International Storytelling Conference

April 7, in Istanbul, in case you were wondering. Link.

Pop quiz: what's this conference preview missing?

The Year Ahead

With 2012 still young, I thought I'd set my sights on the year ahead.

As usual, I've got some traditional folktales that I'm working on. And I'm one of many local storyellers learning part of the Kalevala for a day-long telling of this Finnish epic, hosted by our muse Cathryn Fairlee. I'm looking forward to getting to hear such an old story from the oral tradition told live, and if that weren't enough, this year Going Deep, the Long Traditional Story Retreat, is coming to my neighborhood! (I don't think that I can attend the retreat, but oh boy will I be there for the stories.)

I'm looking at possible telling far afield, but I don't think a Fringe Festival is in the cards for me this year. Instead, I might try a mini-tour in combination with a family vacation.

And I'm pledging to spend more time this year producing and curating content, rather than just consuming it. So, look for more blog posts here, as well as continuing efforts at my Tumblr sites: Story Lab X and Storytelling Looks Like This.

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An audience member once asked me if I created my own material, and I confessed that much of my repertoire was ancient. But every once in a while, inspiration pokes its little head out of the compost heap, and sprouts.

Here are three seeds. I wonder if any of them will grow?

1. A character voice: A few nights ago while driving home, I tuned in a syndicated radio program whose host had a unique voice, very atypical for radio. So unusual, I started to speak aloud to myself, and play with sound production, in an effort to recreate the sound of his voice. I couldn't quite match the vocal quality I was trying to isolate, but the exercise reminded me of the variety of characterization possible... and created a challenge. The voice I'm aiming for could be quite comic. However, if I do it wrong, it could come across as mean-spirited mockery.

(I don't do extreme character voices in my performances. But that voice I heard really intrigued me.)

2. The second seed is a visual image. Not an image from a story, but an image of a storyteller. Only, a storyteller not dressed in what you expect a storyteller to dress like.

Do you dress up on stage? Do you have a storytelling outfit? Or even a costume?

I have a storyteller costume, though I don't use it all the time (I'll use it in my Fringe show). When I don't wear the costume, I do think about what I'm going to wear when I tell. Certain clothes allow me to slide into my storytelling persona more easily.

But I'm really intrigued about the kind of stories that might come from a storyteller in this outfit.

It's a chicken and egg question. I don't have an outfit like this. Do the stories come first, then the outfit? Or if I get the outfit, will the stories come?


3. A song: this one has crawled straight into my heart, and evokes so many stories for me.



Happy 2012, everyone!